Birthplace of Kutani
The ancestral home of Kutani ware is located in the Kutani district, near Yamanaka-machi, in Ishikawa prefecture. "Kutani" is taken from the late Edo period name of the area where it was originally produced, over 300 years ago. Presently this ware is divided into two styles; one -- the original, early period's ware, named "Ko-kutani"(literally "Old-Kutani"), and the other named "Restored Kutani", of more recent times. The cultural vigor of the late Edo period inspired the creation of many famous kilns, each of which strove to develop its own unique style; styles that have been passed down to the present. The first step in the creation of Kutani ware is an artisan's skillful shaping of the piece on the potter's wheel, which is followed by another artisan's skillful painting. In this way, a series of craftsmen painstakingly work to create finished pieces that reflect the original, dignified spirit of Kutani ware.Moving Ambiance Created with Five ColorsCraftsmen, who have mastered each of the painting styles, used to produce Kutani ware, such as Ko-Kutani Yoshida-ya and Aka-ei, can be seen painstakingly drawing hairlines on the unfired, white pieces. Next, these pieces are distempered with five colors (green, yellow, dark blue, purple, and red) which are then changed to enamel in the heat of the kiln. In the Meiji period, Shoza Kutani developed his own style which became popular for its painting of "Saishiki-kinrande" with all styles putting together and the works of his apprentices were exported to get a high position as industrial Arts of Kutani. |
||
![]() |
![]() |
|
| Ko-Kutani This style prospered under the guidance of Morikage Kusumi, expert of the Kano school of Japanese painting. It is characteristic of might and lovely design and flowing hair-line with five color paints (green ,Yellow, red, purple, and dark blue) |
Mokubei After the decline of the Ko-Kutani, the Kasugayama kiln was founded . Mokubei Aoki, painter in Kyoto is said to have led the style. Ground is generally painted red and figure of Chinese style is preferred as an object. |
|
![]() |
![]() |
![]() |
![]() |
| Yoshidaya This is a style of Ko-Kutani origin, painted all over with four colors except red with small pattern as ground, showing profound atmosphere. |
Iidaya (Aka-ei) This is a minute painting of figure with the color of red as ground and gold in places. |
Shoza This is the main style of today with all styles putting together. The "Saishiki-Kinrande" is characteristic of it. |
Eiraku This is a gorgeous style with red as ground and gold, showing refined beauty of "Kyo-yaki" style led by Wazen Eiraku. |
日本語版






Hello. Are you still able to comment on cups I have, if I send you a photo? Happy to donate to you.
ReplyDeleteThank you for this. I was looking for info on a tea set we have gotten in for auction, and this helped clear up the mystery a bit. Now I know Kutani is a style, not a manufacturer, and know the art style a bit more!
ReplyDeleteYou seem to be missing an old Kutani style that I am not sure what it is called, with elaborate yellow background with red included. For example yellow background with stamped snowflakes. I have recently acquired a very large vase off 12”tall, and 40” around with a huge Phoenix all by itself on the vase floating over the yellow background of stamped snowflakes. This Phoenix uses the old five colors in twisted wing feathers, and great waves 🌊 purple feathers on its back. The tail feathers stretch out front, and back of the Phoenix on the side of the vace with a little bit of gold highlights. I can’t positively identify the name of the maker on the box, or the red under glaze signature through Google AI. But it does seem to say the vase was a gift for the retired Toda City mayor. I would like to track down the maker of this museum piece, and the date, and place of manufacture to keep with the vase. I also have a ko-Kutani example five colors except the red is the old flat red, with the a Japanese Three clawed dragon twisting through clouds, flaming pearls, or sunburst’s of every combination of the five colors except the flat red flames coming off the dragon. This dragon is floating by itself on the vase over a yellow background of hand painted black vortex fish scales like yellow clouds, and add to this at the bottom of the vase the dragon is floating over the tops of boiling great purple waves. It is 9 inches of supper heavy stoneware with the old square blue green classical mark. I have never seen just a large, long Japanese dragon by itself on old Kutani, and never with this much going on!
ReplyDelete